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The message was clear he was the voice of the new generation. Kishore Kumar sang the rock star song Meri umar ke naujawanon. Rafi Dard- e- dil dard- e- jigar dil mein jagaya aapne, but Oops! And you have several more Kishore Kumar super hits, such as Main jahan chala jaoon bahar chali aye(Banphool, 1. In Aan Milo Sajna Rafi- Lata title duet is countered by Kishore Kumar- Lata duet Achcha to hum chalte hain, and Rafi solo Phalak se tod kar dekho.
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So you have Kishore Kumar’s Khizan ke phool pe aati kabhi bahaar nahito Rafi’s Ye reshami zulfen ye sharbati ankhenin Do Raaste. However, they were too smart to miss the winds of change. Post- Aradhana they continued with Rafi and you have a large number of peasant Rafi solos and duets in films like Khilona, Jeevan Mrityu, Humjoli, Anjana, Jigri Dost, Jeene Ki Raah, Mera Gaon Mera Desh, Aap Aye Bahar Ayee, Pratigya, Sargam etc. Laxmikant Pyarelal had achieved spectacular success with Dosti (1. RD Burman- Kishore Kumar became a byword for the musical style of the seventies. By this time there was no doubt who was the leader and who the follower. Kishore Kumar singing for one brother and Rafi for another. Later, RD Burman used the two in conjunction to sing the title song in Yaadon Ki Baraat (1. As if to answer this charge, RD Burman got both Kishore Kumar and Rafi sing the same solo in a film – Tum bin jaoon kahanin Pyar Ka Mausam, and even an inveterate Rafi fan would have to admit Kishore Kumar’s version is far superior. His voice retained its timbre and he still sounded Rafi- ish. But there are no such apparent reasons for Rafi’s slide. Then Lata’s rise can be explained by musical reasons some have tried to attribute it to Noorjehan’s migration to Pakistan (to which I do not subscribe, see my article Lata Mangeshkar vs Noorjehan). Yet Aradhana seemed to make him twenty years younger. Rafi, and only a few years younger than him. Lata had been around for about two years and barely twenty then. Raaz is a very interesting horror movie & emraan is very cool, i hope this movie may reach to the top! Jay Sean was born as Kamaljeet Singh Jhooti in Harlesden, Northwest London to Sharan and Bindi Jhooti, Punjabi Sikh. Life and career Early life and career beginnings. Lata Mangeshkar with her immortal songs of that year with all the great composers such as Ayega Aanewala (Khemchand Prakash, Mahal), Hawa mein udata jaye mera lal dupatta malmal, Meri ankhon mein bas gaya koi re, Jiya beqaraar hai (Shankar Jaikishan, Barsaat), Uthaye ja unke sitam, Koi mere dil mein khushi ban ke aya (Naushad, Andaaz), Dil se bhula do tum mujhe (C Ramchandra, Patanga), Tumhare bulane ko ji chahta hai (Anil Biswas, Ladli), Sajan ki galiyan chhod chale, Baharein phir bhi ayengi (Shyam Sundar, Bazaar/ Lahore), La re lappa la re lappa ayee lakhda (Vinod, Ek Thi Ladki), Chale jana nahin (Husnlal Bhagatram, Badi Bahan) etc. This was in some ways similar to the earlier great watershed year of 1. What is most interesting is how Rafi started sliding behind, and Kishore Kumar became the new Rafi, singing not only for Rajesh Khanna, but later becoming Amitabh Bachchan’s voice, and then singing for virtually everyone. Aradhana became a clear watershed film which marked the change between the old and the new, and the end of the Golden Era of fifties and sixties. Rafi did have two duets in the film Bagon mein bahaar hai(with Lata) and Gunguna rahe hain bhanwre(with Asha Bhosle), but Kishore Kumar with Lata surpassed him with Kora kagaz tha ye man mera, and Rafi had nothing to counter his two solos Mere sapno ki rani kab ayegi tu and Roop tera mastana. Mere sapno ki rani kab ayegi tu, a phenomenon called Rajesh Khanna was born.Īlso born was another and perhaps more startling phenomenon – a new Kishore Kumar who with this one film swept aside Rafi to emerge as the No.
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